this morning I pulled a picture of my mother from my mouth

27 Jan

Sometimes, no matter how much we try or how much we want to, we can’t get rid of things. They are constant, stagnant.

You confound me every day. You are not who you look like. You are not you. Look at your tiny eyes and lips.

Their value dissipated, they remain. The way we can’t get rid of memories, the smell of cigarettes. The way that we can’t stop taking what we read and applying it to what we know, what we have. When I read this piece, published at [PANK] by Rachel Bunting, after my brain slowed down and my eyes seemed able to see again, I couldn’t get it out of me. It refused to go away.

Oh how you hate to be humid.

I read it over and then I read it again. Today, I went back to it. I printed it off and read it out loud and then I pinned it on my wall. And now, as I read it once more to write about it, all I can think is that some things keep coming back. That this piece could be read a hundred times and not lose its value.

Your sharp edges. Yes, you confound me.

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The Dry Voice in the Lush Story: The State of Kansas by Julianna Spallholz

26 Jan

If Lydia Davis knew more people who hung out shirtless in small places and owned pitbulls instead of pedigreed cats, her stories might look at little like Julianna Spallholz’s. Lucky for us, we’ve already got Julianna Spallholz to write those stories. Her debut short story collection, The State of Kansas, is recently out from GenPop Books, and it’s a wonderful,  lush read by a drily witty writer.

Spallholz writes the story of certain kinds of people in certain kinds of places.  We know these people; of course we do. We all knew a Billy Glock, the kid with diabetes,  who “when it was Billy Glock’s birthday, all the kids got regular Popsicles and Billy Glock got a special Popsicle that he had to eat sitting down with a fork and plate.”  The kid who never particular stood out otherwise, who hung around his hometown and eventually because a cop or a firefighter or a paramedic or something else pivotal to our society yet oddly invisible to most of us.  We all have friends like those in “Business Idea,” who:

sit at the kitchen table. They use fine point markers. They become excitable. They draft a budget for their business idea. They use imaginary money. Their business idea will not work.

We know the people Spallholz writes of in these stories. We are many of them. The one voice, the one persona we don’t quite get a handle on, is our narrator, or narrators. It’s not that they are unreliable, exactly; it’s just that she has made them into ciphers. They are a suburban secret, a window we can’t quite see into. They are what’s behind the lace curtains. They always seem a little separate, a little removed, which is of course exactly what allows those observations to be so sharp and painfully accurate. For instance, in “Tucson, Arizona”:

Some downtowners work at the little market, some work at the nicer restaurants, and some work at the bike shop. There are some banks and other offices. You could work at the University or at Raytheon, which is a place where they make weapons. A lot of people seem like they don’t have jobs, or like they have jobs that don’t take up too much time.

At the same time, Spallholz’s narrators occasionally expose their own isolation, in a blink-and-you-miss-it observati0n both funny and sad. This, buried in a bit about drink prices in Tucson:

Sometimes you end up getting drunk without meaning to. Entire days go by in bars. Entire weeks and months.

The people in the pages of The State of Kansas seem at times something more, or something less, than people.  They aren’t quite parable, either – they’re something in between that feels new and fresh and full of secret understanding. The almost parable-ness, comes from Spallholz’s lovely use of language, of repetition, of sing-song-ness. The way she uses language gives a fable-like quality to the rather sharp and subtle observations she makes throughout these short pieces.   Both “Your Maid in Real Life” and “The Body” make use of this extreme repetition, causing an almost total de-personhood of the maid, and separating the body from the being inside it.

And the fabled quality running through these stories allows Spallholz to do something else, as well, that is rather un-Lydia-Davis-like. She lets her characters, even her narrators, borrow hope. Her stories, then, become lush dreams in spite of themselves. Her stories become places where you find “the feeling of believing that every beautiful impossible thing could be real.” Even if it isn’t.

Julianna Spallholz’s debut collection, The State of Kansas, is available from GenPop Books.

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Awful Interview: Joshua Ware

20 Jan

Josh Ware is mysterious. This is the last known likeness of him, it was created on June 3, 1983. He has a line of black hair, yellow skin, blue eyes, and one red lip which smiles. His feet start near his knees and he has abnormally large hands. He will be reading at the next Solar Anus reading series in Atlanta at the Beep Beep Gallery this Saturday, January 21st at 7:30 in the evening. He has a book Homage to Homage to Homage to Creeley from Furniture Press Books. If you abbreviate the title of his book it looks like this: H2H2H2C.

Tell me a bit about your sunglasses. Do you wear them often?

First, my apologies for the delayed start on this interview; I woke up late and then had to walk Olive. Anyway, as far as my sunglasses are concerned: well, I purchased my first-string pair at a sunglass kiosk in the Cherry Creek mall in Denver for $16 (Several times, in fact, as this particular brand cracks easily in the heat). That’s important to me because I break or lose sunglasses with great frequency, so I avoid pricey models. I also like my first-string pair because they have large lens and wide frames. My cranium is abnormally large, almost caricature-like, so a smaller pair would make my head look even larger (Gabe Bacon used to call me “Waretermelon” in high school because he thought my head was the size of a watermelon). Finally, the lens are polarized so everything looks more vibrant; it’s kind of like, when working with an image in a photo-editor, over-saturating the colors so it appears to be in technicolor. A technicolor world is much more enjoyable than a non-technicolored world; I find nothing redeeming about absolute realism. O, the other thing is that overhead, fluorescent lighting affects my eyes in a very negative way, so I need to wear them if a room is illuminated in that manner. My second-string pair of sunglasses are gold-rimmed, rectangular-shaped aviators. I purchased them at a Family Dollar in Lincoln, NE for $6 on a walk during the Spring of 2010. While they’re not good enough to be first-string pair (the lens are a bit too small) they come in handy when my first-string sunglasses are lost or broken. The thing is, the stems are so thin, I thought they would bend or break easily; instead, they’ve been surprising resilient. To answer the second part of this question, yes, I wear them often. Of course, I realize that people usually consider sunglass-wearers (especially when inside or at night) to be assholes; so, I’d just like to take this moment to say that I’m not an asshole.

 I feel as if I stumbled upon the perfect first question for you. You’re quite the sunglasses connoisseur. Have you ever considered freelancing as a sunglasses consultant? Sometimes I see people with sunglasses on and think they could have made a better eye-wear decision. You could really help with that.

Recently, I rescinded the final semester of my funding at University of Nebraska and moved back, at least temporarily, to Denver, which means that I have officially joined the ranks of the unemployed. Given my recent joblessness, I’d considered just about any form of employment. Freelance Sunglasses Consultant (FSC) sounds much better than Male Prostitute At A Truck Stop (MPTS); I mean, the chance of contracting a sexually transmitted disease is much lower in the former of these professions than it is with the latter. Also, I could probably work from home as a FSC, whereas I’d be hanging out in a lot of dirty, interstate bathrooms as a MPTS. Sure there’s a certain charm associated with a truck stop bathroom (given all the zany graffiti on the backside of the stall door’s and whatnot), but there’s more downside to that profession than upside.

What other professions have you considered entering? Do you have any secret talents? For instance, can you juggle?

In a perfect world, I would be a two-guard or a small forward in the National Basketball Association with a skill-set modeled after former Cleveland Cavaliers swingman Ron Harper. Genetics, sadly, put a quick end to this career aspiration. I find this to be one of the great tragedies of my existence. While in Nebraska, I’d try to keep my skills sharp by playing hoops with some other poets, such as Trey Moody, in case an NBA franchise came calling. I’ve always been a strong defender, rebounder, and do well scoring in the post, but over the past few years I’ve also honed my mid-range jumper. If I could add a more accurate 3-point shot to my repertoire, I’m quite certain that I’d be unstoppable at any level of play, regardless of my height.

I think, perhaps, I also would have made a fantastic astronaut; I know this because I love space ice cream. As a child growing up in the Cleveland area, my grade school would often take us on field trips to the NASA Glenn Research Center. In the souvenir shop, small, air-tight bags filled with dehydrated, Neapolitan ice cream were sold; I’d purchase loads of those things and gobble them up, almost instantly. I think, for the most part, people hated it, claiming it tasted like cardboard; but the fact that I enjoyed them so thoroughly seemed to indicate to me that I was destined to be propelled into outer space on the top of a giant missile filled with rocket-fuel. This, of course, never happened either. Maybe writing poetry has been a way for me to deal with my failures as an astronaut and a professional basketball player.

As far as secret talents, I feel as though I excel at small talk; this isn’t so much a “secret” talent, but it’s a talent nonetheless. Far too many people discount the ability to talk to strangers, acquaintances, business contacts, etc. about mundane or inane subjects with no goal other than to fill awkward silences. Small talk, I believe, is the foundation of Western Civilization and should be honored as such. Why this has not yet happened is beyond me. Eventually, when small talk does take its rightful place in the pantheon of talents and skills praised in our society, people will finally understand that I can contribute something to our culture and the general well-being of humanity. Until then, I will slave away in obscurity.

With your skill set though, if you were to make enough small talk with people about small talk’s importance, don’t you think over time other people would make small talk about you and your small talks on small talk, and then eventually you would become 1. notoriously talented at small talk 2.small talk would gain importance and therefore maybe even 3. You could be a spokesperson for small talk. Like Jared Fogle for Subway?

Sorry for the time lapse; I had to swing by King Soopers to pick up some Airborne, Ricola, Hals Mentho-Lyptus, and firewood. I came down with a scratchy throat and nasal congestion the other day. Coupled with the always eventually fatal entitilitus I contracted from Ronnie Fucking Dobbs, the past 48 hours have been trying.

As for actively championing small talk for the sake of advancing both its stature and relevance, well, we’ll see what happens. As for Jared Fogle, I’ve never been a fan; although, I salute Subway for retaining Michael Phelps as a spokesperson after the whole bong-photograph scandal. It’s important that multinational corporations not shy away from hiring recreational drug users to appear in their advertisements and marketing campaigns. I mean, that’s an entire, mostly untapped demographic that ad agencies and marketing departments have neglected for decades. I have to believe that there have been innumerable late-night food runs to Subway by stoners of all-ages simply because Phelps appears in those commercials.

I agree, the Phelps endorsement + the $5 foot-long campaign have a really strong appeal to stoners, especially college kids. How big of a fan of Mr. Show are you, on a scale from 1-10? Have you watched The Increasingly Bad Decisions of Todd Margaret?

The first two seasons of Mr. Show are genius, and I don’t even believe in the concept of genius, which makes my assessment of those seasons all the more amazing. To that extent, on a scale of 1-10, I’d say I’m a 9.23 for the first half of that series’s run. Seasons three and four are solid, but not as spectacular as the first two; thus, for the second half of the series’s run, I’m a 7.18.

I’ve never seen The Increasingly Bad Decisions of Todd Margaret, but I do love Tim and Eric Awesome Show, Great Job!, which Bob Odenkirk (I think) produced. Heidecker and Wareheim are so disturbingly funny, not to mention hyper-intelligent. Although, my favorite sketch from Tim and Eric is the Pussy Doodles sketch featuring David Cross. And, yes, Will Arnett (who, from a quick Internet search, appears to be the other lead in The Increasingly Bad Decisions) and Cross are brilliant in Arrested Development, particularly the second season.

What makes you not believe in ‘the concept of genius’?

“Genius” seems to be a self-aggrandizing concept that is a hold over from the Romantic period and employed today by those wholly insecure with the fact that any artistic creation is a confluence of influences and sources in perpetual relation with one another, manifesting themselves within an artwork. If anything, I like what Gertrude Stein said about “genius,” which is: “It takes a lot of time to be a genius, you have to sit around so much doing nothing, really doing nothing.” Maybe she meant that sincerely, but I’m hoping she was being ironic; no doubt, she thought herself a “genius,” though. A direct correlation, to my mind, exists between “nothing” and “genius,” in that the former is the definition of the latter. Of course, I don’t believe in science or Netflix either, so I could be wrong.

I met a girl in college who didn’t ‘believe’ in napkins. She had ranch dressing on her face. She wasn’t being ironic and it was a little disturbing.
Your disbelief in ‘genius’ is not disturbing.
Name five reasons people should come and hear you read on the 22nd.

Although I feel much shame that, it appears, I was just compared to a ranch-dressing-faced hippie you once knew, I will still answer your final question:

1. For starters, I’ll be reading with Jeff Alessandrelli. In addition to being a fantastic poet, Jeff has the rugged but casual good looks of a Hollywood star (similar to Tom Jane) that women and men alike swoon over. He may also wear a Biggie Smalls tee-shirt, which would be an added bonus.

2. Door prizes, such as macramé braclets and a ½ pound bag of cocoa nibs.

3. I’ll read all my work in an effected voice, much like that old recording of T.S. Eliot’s recital of Four Quartets.

4. There’s a good chance that either Jeff or I may “freak out”; you can interpret “freak out” in manner you’d like.

5. Glad handing, back slapping, and much ballyhoo will be had by all who attend.

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last day to enter our xTx & Frank Hinton chapbook contest is this Saturday the 21st!

19 Jan

Hey! Just wanted to remind you all that the last day to submit to our xTx and Frank Hinton chapbook contest is this Saturday, January 21st! Thank you to everyone who has sent us their SSR thus far. Let’s keep ‘em coming!

You can find the details of the contest at this page.

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Awful Interview: Jeff Alessandrelli

19 Jan

Jeff Alessandrelli is not blurry. He is a poet with a book. The book is a book that he wrote and it is good. The book is called Erik Satie Watusies His Way Into Sound. It is published by Ravenna press. Jeff Alessandrelli travels. He also reads out loud. He will be reading out loud at the Beep Beep Gallery in Atlanta this Saturday the 21st at 7:30 pm. 

You live in Nebraska, are you a fan of Bruce Springsteen’s album Nebraska? Also, what are the first three things a person should know about you?

Actually, funnily enough the only Bruce Springsteen album I own and have really ever listened to is Nebraska—I used to live in Portland, OR, and when I made plans to move here a friend gave it to me as a gift. I’m not a huge fan of The Boss, but I like that album well enough. Three things: I have a dog named Beckett Long Snout, I’m originally from Reno, Nevada and have a healthy amount of NV pride (I am decidedly against the TV show Reno 911!) and my favorite musicians include Pavement, the Rolling Stones, Erik Satie and the Notorious B.I.G. Bonus: I collect records. I grew up skateboarding.

What does having Nevada pride entail? Does your love of your home state influence your poetry much?

Having Nevada pride basically consists of pronouncing the state’s name properly—it’s neh-VA-duh, not neh-VAH-duh (so many people, especially non-Western politicians, pronounce it neh-VAH-duh) and sticking up for it when it’s referred to as California’s bastard step-child or something. It’s a great state and where I lived in Northern Nevada you could ski or snowboard in the winter (up at Lake Tahoe, which is a half-hour away from Reno) and go swimming in the Truckee River in the summer—it’s definitely not a big desert wasteland of a place; there’s a lot going on.

Since I’ve moved around quite a bit since I lived there—I left permanently in 2005, although I still go back 3-4 times a year—I don’t think being born/ living a substantial portion of my life in Nevada influences my poetry much. Although last year I did write a longer poem called “A Lover’s History of Nevada” that not so indirectly references my fondness for the state. I learned some cool facts while writing it, among them that in the Death Valley region of Nevada there is a creature known as the kangaroo rat that can live its entire life without drinking any type of liquid and that Las Vegas has more hotel rooms than any other place on earth (the last one probably isn’t too surprising, actually).

 If you were a kangaroo rat and someone offered to buy you a drink, how would you respond? Secondly, if the Notorious B.I.G were a kangaroo rat and someone offered to buy him a drink, how would he respond?

Biggie as a kangaroo rat would probs accept the drink, but have all sorts of highfalutin demands (i.e. ice but not too much ice, shaken not stirred, etc.). I would accept it also, but be worried that I was letting down my non-drinking kangaroo rat brethren, and after finishing it I’d keep it to myself. Loose lips sink ships in the desert, especially with regards to the lifestyle of a kangaroo rat.

I can see life being a bit cut-throat in the desert. So when you come to Atlanta to read, do you intend to visit any tourist attractions?

Hmmm…Joshua is driving (we’re reading in Athens on Thursday the 19th and then heading back to Atlanta), so it’s kind of up to him. I personally would like to visit the old palaces of famed Atlanta Hawks Dominique Wilkins, Moses Malone and Stacey “The Plastic Man” Augmon. Maybe check out some Civil War sites too? I realize the profound difference between those two attractions/destinations.

That is quite the profound difference.

Yeah. I’ve never actually been to the South–except for Charlotte (does that count?). My friend Mike is a banker and I went down there a couple of years back–I didn’t realize Charlotte is the banking capital that it is, 2nd most popular behind New York (at least according to Mike). So I’m really looking forward to it.

Also, what’s your biggest pet peeve regarding stereotypes people have of Atlanta/ the South? Do you hear a lot of stupid/ annoying/nonsensical ones?

 Hmm… I think Charlotte counts. I spent a good portion of my childhood in Charlotte, but Charlotte then is a lot different than Charlotte now. They don’t have the Hornets anymore, which is a bummer.
As far as stereo-types go, I can’t really think of anything off of the top of my head. That being said, when I first moved to Atlanta and was waiting tables,  I found it very aggravating when someone would try to order a Pepsi. Honestly, this is Coca-Cola town, only Taco Bell carries Pepsi on tap.
Do you have any stereotypes of the South you’ll be confronting in coming here?

I don’t think so, in all honesty. I’ve always been a history buff—I minored in it as an undergrad—so the South has always fascinated me specifically because so much of America’s history resides there. But having grown up in the West that history didn’t get talked about a whole lot; from what I remember we were on more of a Manifest Destiny tip in elementary and junior high. Also, RIP the Hornets. Grandmama Johnson was the bee’s knees.

Oh man, I loved Grandmama Johnson! I used to have a watch with her on it from the Burger King Kids club I think. Or maybe it was something else, Grandmama made it big because of Converses, right? Do you own any Converses?

Yeah, Grandmama Johnson was a Converse advocate. I do own a pair of Converse’s—they’re dirty and crusty and about 3 years old and are my designated “river shoes.” I wear them only when I’m floating or wading through a river of some sort. I actually haven’t used them at all since I moved to Nebraska, but I used them fairly regularly in Nevada and Oregon. Are you yourself the proud owner of a pair of Converses?

Formerly yes, my favorite pair were light blue, but they passed away after an unfortunate incident with a puddle back in 2007. Recently I’ve been wearing a lot of boots.
What would you say to Notorious B.I.G to get him to attend your reading here in Atlanta on the 22nd?
Maybe more importantly, what would you say to Grandmama Johnson to get her to attend your reading here in Atlanta on the 22nd?

To B.I.G. I’d emphasize the fact that music, poetry and rapping to music are interchangeable elements, and, as cliché as it might sound, the best rappers are also poets and vice-versa. Just like he had (has?) some of his raps memorized I have some of my poems memorized, and I try and play this memorization element up for audience effect. As for Grandmama I would simply make clear that if she doesn’t come to the reading my new river shoes are going to be a pair of old Adidas’—I assume LJ still has Converse stock.

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An Evening with Frank Bill – Feb 10th

17 Jan

Vouched is teaming up with Punchnel’s, Second Story, and Big Car to bring you a night to hang out with author Frank Bill (Crimes in Southern Indiana).

From the desk at Second Story/Punchnel’s:

An evening of conversation with Frank Bill, author of Crimes in Southern Indiana, for readers, writers, and people who like hanging out with them. Bill will be joined by winning writers from the Boiled Down Noir Contest at Punchel’s.

Admission: Free
Food & drink will be available at the event

All proceeds benefit the work of Second Story to help kids learn to love creative writing.

We’ll also host a pre-event reading group discussion of Bill’s book at Service Center on Wednesday, Feb. 1 at 6:30 p.m. This is also free.

Sponsored by:

Punchnel’s
Vouched Books
Big Car

If you got them in you, crank out some words for the noir contest. And get thee to the Service Center on February 10th to drink some beer with a guy who knows his backwood noir.

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There’s Nothing Quite Like a Real Book

10 Jan

Thanks to our pals at Atticus Books for making us aware of this video.

From the makers:

After organizing our bookshelf almost a year ago, my wife and I decided to take it to the next level. We spent many sleepless nights moving, stacking, and animating books at Type bookstore in Toronto.

I love the thought of books coming to life when the store’s all locked up and no one’s around a la Toy Story, but books are our toys. We like to play. I love the thought of books coming to life when they are in our hands. I love the thought these people put into their books, how they play with their books. These are people whose parents never told them not to play with their food. These are people who love to have fun with their books.

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Will We Ever Stop Laughing? A Poem by Hiroshi Shinoda.

9 Jan

I’ve been sitting on this one a long time, a poem at Everyday Genius by Hiroshi Shinoda that was posted back in mid-December.

I don’t have much to say about it. Actually, I don’t have anything. It’s just a great poem, a poem that haunts. I read it a month ago now, and it keeps cropping up in my brain, and I’m sure it has so much more to say, I’m sure I can dig and dig into it and extrapolate meaning and bullshit, but really, this is a poem I just want to enjoy. This is a poem.

HaHa

That city in Africa
where everyone started laughing
one by one
and they couldn’t stop
no one could stop laughing
even to eat or drink
or breathe
I read about it
and dreamt it last night
they couldn’t eat or drink or breathe
and they couldn’t stop laughing

Read the rest at Everyday Genius.

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A Final Reach for Faith, or Something Like It

6 Jan

Maybe it’s the point of life I’ve been in the past few months (year?), but this story by Brian Ross, “Rise,” yanked at me as I read it. Maybe the sheer pathos of the situation, the dying child; maybe the final reach for faith, or something like it. Sometimes we want so much to believe that we believe more in the wanting than in the in belief.

Sometimes one person must control a situation.

That is what my pregnant wife told me nine years ago, when she chose a name for our daughter.

We had debated names for weeks. We drew up lists and compared them. We each had staunchly defended numerous choices. As the weeks passed and my wife’s due date approached, our debates became arguments. We fought about the qualities of each name and neither side was willing to give ground. My wife and I both knew it was not the names we were fighting over.

Finally, my wife selected a name neither of us had previously discussed. She said her decision was final.

The name she chose sounded strange on my lips. In the days of bitter cold and crippling wind before the birth of our daughter, I spent private moments trying to find warmth by uttering the name, by listening to its foreign sound as it escaped my mouth.

Days after she gave birth, my wife asked me what I thought of our daughter’s name. I had no answer.

I asked my wife what this name meant to her. She told me she did not know.

*

Undiagnosable. According to the first and second opinions, my nine-year-old daughter’s condition is undiagnosable.

Read the rest of the story at Metazen.

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SS Review: Trees of the Twentieth Century by Stephen Sturgeon

5 Jan

Trees of the Twentieth Century by Stephen Sturgeon
Dark Sky Books, 66 pages, $10

I read Sturgeon’s poems like I look at trees today, holy mackerel their growth! and how lovely they intersect with the ground, but oh too easy sometimes to dismiss them as something past, but but oh I say oh I’ll look at them a little longer, listen to the crackle within, pay attention to the shadows they leave because I keep finding something spooky, like eyes in the bark (“When we began to think/of this man and his various ways/we had no more use for the world”), or something neat, like a stickbug (“A man tracked a curtain rod that blazed through a forest,/and as he furiously traveled, with him there went//the hair of Jesus’ head inching along, a river of skulls a black girl swam”), that keeps me wandering around, fascinated.

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