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Yes, They’re Basically Bratty Teens, but It’s Epic Just the Same

14 Feb

Those of you who know me know that I hate most romance. I hate flowers. I hate hearts. I hate Valentine’s Day. I have many things in common with Elaine Benes (as in, we’re just about the same person) but nothing so much as our shared hate of the world’s most boring film ever, The English Patient. And don’t even get me started on romantic comedies.

So I know people always find it incredibly odd when I start passionately defending Gone With the Wind against all detractors. Yes, the main characters are bratty and impossible. Yes, Ashley is pasty and boring. Yes, Rhett is a jerk and so is Scarlett. Yes, she gets what she deserves at the end. Yes to all the above.

And yet. I love that damn book and I love that damn movie even more. I know. It makes no sense. There are exactly three movies that make me cry and that is one of them. (The other ones involve animals and a Bronte.) Why? What is wrong with me?

This essay articulates it perfectly. Perfectly! It’s not about their relationship, really. It’s about the surrounding elements. The book and movie, besides being a gorgeous spectacle (and yes, I’m a sucker for war films, too–I also love Casablanca‘s star-crossed romance) are an unsubtle metaphor for the sweeping destructive force of the future. People who claim it’s a monument to the Old South–I don’t think so. At least, I don’t think it works like that for us today.  Somehow I love Scarlett, in spite of everything, because of the weird elemental brutality of her being. She is the bulldozer of the future. She has some of the Old South in her, yes, but with her comes the destructive force of change. She is the world, moving on, utterly practical, always hungry. And I like that. I root for change.  I feel for Ashley and Melanie because they are the done-and-gone past, those who can’t change, those stuck behind the false front of gentility and grandeur while their lives fade out like wallpaper. The whole damn war and the aftermath, music and grand costumes and sets and all, is not just a  grand spectacle, but the burning of the old ways, the old America, the turning point in our history. And even more than that, to me, as someone who loves classic film, it’s one of the last of the epic films. The kind that got made like this. The kind with intermissions and choreography and three bajillion extras. It’s 1939 as much as it is 1865, and it’s the sad blazing unapologetic end of an era when seen today, just as it was in a different sense for Flannery O’Connor when she used it in her own story.

There. Can I just link to this post from now on when people express their confusion about my love for Gone with the Wind? I think that I will.

Mensah Makes Me Want to Try Again

29 Nov

I hate mornings. I hate them so hard. I’ve tried before to get up early to write and do my me-things before work, but it’s never stuck. I have a couple mornings of inspired energy, and then the Snooze button works its way back into my good graces.

But this little essay by Mensah Demary at Hippocampus makes me want to try again. I’m not sure why really. Maybe just the simplicity, the calm reflection of it. It makes me want to try again.

I wash up and get partially dressed. I’m wearing a tee shirt and jeans and shoes–my favorite jeans are Levi’s; my favorite shoes are dark brown Clark Wallabees that appear old and broken in, but they feel so good–and I pick a sweater or button-down to wear, but I don’t put it on yet. I throw it over my shoulder, grab my phone (which is my alarm clock, too) and prepare some coffee. While it brews, I enter the second bedroom–our office–well, my office–to smoke a cigarette.

This is my favorite part of the day. Without fail. I’m in the dark and the city streets are empty. The trains haven’t yet started to run. The sun isn’t up. I’m standing in front of 14′ high windows, cold air blowing in, and I’m blowing out cigarette smoke. Very slowly. It’s probably the only time I savor a cigarette. And I think about writing, but I don’t feel like it this morning.

Read the rest at Hippocampus Magazine.

Court Ruling in Favor of Protest Gives Me Hope

15 Nov

I go through fits with the world. Sometimes, I pull far back from it, I tend to my own garden, I let the world move around me how it moves. I have to, else I let the world swallow me up. Then, there are times I feel extremely connected to the world and what is happening in it. The past couple weeks I’ve felt much the latter.

First, Roxane Gay’s essay at The Rumpus. Then the terror of reading the Sandusky Grand Jury report. And then, waking this morning to scenes on the news of the riot police sweeping through Zuccoti Park.

I’ll admit: I’ve yet to decide how I feel about the Occupy movement. I like its heart, but I’m not sure where I stand on its body. I recognize the disparity of income, the injustices of corporate greed, but there’s some scapegoating and some tactics I can’t exactly get behind. Sometimes, I just like that there are people moving, there are people speaking.

I’ll go on record to say I hate the 53% movement, this movement that likes to outline how hard their lives are, and tell others to stop whining about how hard theirs are. I don’t get behind any movement that tries to tell others they don’t have a right to petition their government about grievances.

I’m getting off track.

What I wanted to talk about here was that last week, I vouched an official document, the Grand Jury report in the Gerald Sandusky case, stating it as now a part of our literature, however horrific the allegations. I despaired over that document, the depravity it outlined.

I wanted to say that today I came across a different sort of document. Another official document that this time gave me a hope.

Last night, the police swept Zuccoti Park. Protesters who refused to leave before the sweep were arrested. The People’s Library was thrown in the trash (I cannot abide by the trashing of books and art). As of this morning, there were reports that officers around the park were refusing to let some protesters back into the area.

There is also this. A group of lawyers (the occupation people love to hate) filed suit against the city, claiming a breach of the movement’s First Amendment Rights. The judge ruled in favor of the Occupiers, even going so far as to order that the City of New York is not allowed to evict the protesters from the park, nor enforce the no camping rules “published after the occupation began or otherwise.”

I don’t know where I stand on the Occupy movement, but I stand without hesitance against anyone trying to restrict the First Amendment rights to freedom of speech and expression. Reading this court ruling against the city of New York gave me hope today. I hope it might give you some of the same.

A Vouch Completely Different: the Sandusky Grand Jury Report

10 Nov

I’ve tried my hardest to not care about the current events developing around the Penn State Campus the past week. Until today, it was pretty easy. Ignorant of the whole picture, it was easy to simply classify it as “another college sports scandal,” a.k.a. “things near the very bottom of my to-care-about list.”

But today, the Grand Jury report of the unfolding case against Gerald Sandusky was released, and at the sharing by a good handful of friends, I clicked the link, and began to read.

I began to read, and despite the growing sting of bile building in my stomach, I could not stop. It wasn’t out of some sick fascination, like slowing while passing an overturned vehicle or watching the report of a train derailed. It was that I could not understand suddenly who we were, and I needed desperately to understand.

I could not understand how these things could happen, and people could know about these things happening, and these people did not consider beyond themselves what is good and right and true and what should have been done, which was everything you can do to save those children.

I’ve been struggling the past few hours now whether to vouch this report. I’ve been struggling that people might see it as baiting Web traffic. I’ve been struggling that it doesn’t “align with the mission of Vouched Books.”

For the past few hours, I’ve been swallowing at the lump of confusion and cold dread that swelled up at my center, feeling completely powerless.

*

In her recent essay at The Rumpus, Roxane Gay wrote:

“Language is at once exhilarating and impossible. We have innumerable words and phrases but all too often, they don’t fully represent what they should. They allude or approximate meaning but rarely do they begin to encompass the depth of experience.”

She wrote about the cold, anemic language of the Supreme Court’s decision regarding Troy Davis, the 23 words that said at their core, “We are going to allow you to die.”

The Sandusky Grand Jury report, as you would expect a report to be, was similarly cold, similarly official and sterile of any emotion or pathos or earnest morality beyond the rule of law.

But, I’m not sure I have ever been more affected by a piece of writing. I’m not sure I’ve ever read something that highlights so well what we are capable of. It recounts in stark and horrific detail the stories of 8 known victims of Gerald Sandusky. It recounts who was made aware of the occurrences, and what little was done about them over the past decade.

I’m vouching the Grand Jury report, because I believe it is an important and necessary thing to read. It is not literature in the classic sense. It is not beautiful, nor is it “a good read.” But, it is necessary.

Literature at its best shows us ourselves as real and as true as possible in our glory and our horror. This report does exactly that. Whether we like it or not, this report is a part of our literature now, the events in it a part of our history, a part of what we are as a whole humanity. We are capable of this.

*

We are capable, too, of so much more.

I once wrote that I started Vouched Books because literature saved me as a child. I wanted to push a literature that I felt could save others. I believe this is that sort of literature, by showing us what we do not want to be, similar to how my step-father showed me.

So, I’m vouching this report, because it’s what I can do. It may not be much in the grand scheme of things, but it’s what I can do.

Reading this report, it’s easy to feel powerless. It is always easiest to feel powerless.

But we are not that. We are remarkably capable. We are capable of the kinds of viles and horrors outlined in that report, true. But we are also capable of equally kind and compassionate and beautiful things.

We can be so much more than who we are today.

That Time of the Month Again

17 Oct

No, not that time of the month (though maybe it is, and if so, I’m terribly sorry; my empathy for the fairer gender runs deep). The time I’m referring to is when I open my Google Reader and see new feeds from The Collagist, PANK, DOGZPLOT, and Word Riot.

The Collagist is out of the gate with excerpts from Blake Butler’s new memoir, Nothing: a Portrait of Insomnia, and Nick Antosca’s Fires. Work by Lincoln Michel, Kate Lorenz, Luke Geddes, Gregory Sherl, and Joseph Scapellato caught my breath.

PANK is pounding it out with some great words from Lauren Schmidt, Sarah Faulkner, Mather Schneider, Tessa Fontaine, and many others.

DOGZPLOT delivered with a lack of animal evidence by Peter Schwartz and a stinging serpent by Nicola Belte.

And Word Riot you’ll just have to check back for later, because their feed posts before their page updates, so I’m probably a jerk for telling you how good it is now. If you’re really curious, just subscribe to their feed. You won’t be disappointed, month after month, you won’t be.

About an Oxford Comma

23 Aug

My friend Rima says I use too many commas. She’s probably right, and okay. Just last weekend, I was out to breakfast with my friend Micah, and the lack of an Oxford comma caused me to misread the menu. I talked too much about this to my server. Micah said she probably thought I was trying to hit on her. I was not. I was just trying to let the world know I give a fuck about an Oxford comma.

David Wanczyk has an awesome This Modern Writer essay up at PANK Blog about commas, those little things we think too much or not enough about. I think a lot about a comma these days.

My great poetry teacher, William Stewart, used to tell us that he fell in love with language when he realized a simple statement about the weather could be reordered in nearly innumerable ways. On Sunday there may be thunder all through the region. On Sunday, there may be, all through the region, thunder. As a stormy college student, I thought I was learning an elementary lesson. Now, though, I see the small difference in connotation that the reorganization can bring, and it can be hard to know where to put the thunder.

I admire most the writing that makes me want to be a better person.

26 Jul

Roxane Gay has an essay up at The Rumpus about compassion in response to the 2 recent major news events: 1) the bombing in Norway, and 2) the death of Amy Winehouse. It is unmoving in its capacity to move. I hate it so much because of why I love it. I hate it because it calls me on my shit.

It calls me on the fact that when I first heard about the bombing in Norway, I immediately assumed it was likely Al Quaeda or some other Arab/Muslim terrorist group.

It calls me on the fact that Saturday night, I was at a wedding dancing with friends when someone mentioned the death of Amy Winehouse, and I and my friends all commented terribly on how expected it was. I even made a joke referencing High Fidelity when Barry finds out about the death of Laura’s mother: “Oh, drag,” to which my friend followed up by mimicking biting into a burrito. And we laughed. How we laughed at the untimely death of another human being. I feel sick of myself.

So, thank you, Roxane, for how large your heart, and how great your words.

Every day, terrible things happen in the world. Every damn day too many people die or suffer for reasons that defy comprehension. A bomb goes off in a market and thirty men, women, and children are killed. A man walks into a birthday party and kills his ex-wife and all her siblings in front of their child before he kills himself. The water in an African country disappears leaving people starving and thirsty. An epidemic of a disease long-cured by modern medicine sweeps, relentlessly, through an island nation already ravaged by natural disasters. A woman is raped by police officers and those officers are acquitted and she now has to live with the knowledge that she is not safe, not even from law enforcement. A large retailer goes bankrupt putting 10,000 people out of work. Two wars continue to rage unceasingly. And. And. And. And. Every day, terrible things happen in the world. It is overwhelming to try and make sense of any of it, to know how to feel about any of it, to be able to articulate those feelings, to express compassion when there is such a gaping, desperate need for it.

Read the rest at The Rumpus.

SSR #4 of 15: (W)ink Atlanta’s Hey, New Kid!

11 Jul

(W)ink Atlanta is a phenomenal organization. They go to Atlanta-area schools and tutor children in creative writing, and at the end of the semester/quarter/what-have-you they publish the children’s work and host a reading for them. Like I said, phenomenal. I’m honored to help spread the word of them to you now and also by selling their first collection, Hey, New Kid, at my table. Here’s a single sentence review about how much it rocks:

Every school should have a field guide like this so children could expertly maneuver through the hallways with their oversized hall passes, their stomachs unburdened by the challenge of hairy cafeteria pizzas and grilled cheeses, their permanent records void of in-school suspensions… all of the students  could climb through the ascending grade-levels in a cloud of cackles and success.

AYITI!

6 Jul

I just pre-ordered Roxane Gay’s forthcoming book, Ayiti, a collection of fiction, non-fiction, and poetry, about Haiti.

I think you should, too.

Single-Sentence Review: The Book of Freaks by Jamie Iredell

27 Jun

The Book of Freaks
by Jamie Iredell

Future Tense Books
$11, 136 pages

Jamie Iredell takes us for an awesome journey into the freaky dressed up as wacky weirdos folded then unfolded in these entries, a place where these freaks easily escape their cages, in their slithery way–I’m warning you–huddling too close for comfort in this constant beam of cleverness and associative imagination.

 

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